Remains to be seen
27 April - 15 May 2016
Opening Wednesday 27 April, 6.30-8pm
This body of photographs was originally begun in response to the theme of childhood, following my interests in nostalgia, memory and narrative. Using toys, books and other objects left behind by loved ones or collected along a journey, these images weave together favourite themes of children, motherhood, sentimental objects, history, preservation and loss.
Even the process of creation was nostalgic as they were shot on my beloved 645 medium format camera in black and white film and I listened with satisfied glee to the click and wind of the old mechanisms with each frame.
Various images suggest narratives and others incorporate plays on words. Some of those stories incorporate fact, as in the case of my great grandfather William Ninnis and his father James who shut him in to practice the violin – and that truly is his instrument. Other photographs simply imply their tales and the human experiences related to them. Australian dream plays on the desire to own the suburban house and car but the prince and his sleeping bride are forever on separate sides of the doorway. And most of us have experienced those childhood moments when falling shadows create frightening entities beyond themselves.
These keepsakes fascinate me and trigger memories and fantasies alike. So many lives have touched them, and the fullness of their stories still remains to be seen.